{"id":167,"date":"2020-10-24T11:06:14","date_gmt":"2020-10-24T15:06:14","guid":{"rendered":"https:\/\/www.jamesburgess.net\/index_wp.php\/?post_type=portfolio&#038;p=167"},"modified":"2020-11-13T05:25:09","modified_gmt":"2020-11-13T10:25:09","slug":"the-petrograph-series","status":"publish","type":"portfolio","link":"https:\/\/www.jamesburgess.net\/index.php\/portfolio\/the-petrograph-series\/","title":{"rendered":"The Petrograph Series"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_tta_accordion shape=&#8221;square&#8221; color=&#8221;white&#8221; c_icon=&#8221;triangle&#8221; active_section=&#8221;99&#8243; css_animation=&#8221;top-to-bottom&#8221; collapsible_all=&#8221;true&#8221;][vc_tta_section title=&#8221;Artist statement&#8221; tab_id=&#8221;statement&#8221; el_class=&#8221;h4&#8243;][vc_column_text css_animation=&#8221;top-to-bottom&#8221;]<\/p>\n<p>Aggressively frontal and monumental, part sheer rock and part artifact, the <i>Petrographs<\/i> in this series, with their rough awkward rhythms and turbulent embattled volumes, seem to me charged with a living vitality. To me they recall the stone carvings of Borneo in which incisions are cut into natural rock formations to liberate active forces thought to be dwelling within the body of the rocks. Thus, brought to their external surfaces, the rocks are believed to manifest greater power and presence.<\/p>\n<p><i>Series of 21<\/i><\/p>\n<p>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_tta_accordion shape=&#8221;square&#8221; color=&#8221;white&#8221; c_icon=&#8221;triangle&#8221; active_section=&#8221;99&#8243; css_animation=&#8221;top-to-bottom&#8221; collapsible_all=&#8221;true&#8221;][vc_tta_section title=&#8221;Artist statement&#8221; tab_id=&#8221;statement&#8221; el_class=&#8221;h4&#8243;][vc_column_text css_animation=&#8221;top-to-bottom&#8221;] Aggressively frontal and monumental, part sheer rock and part artifact, the Petrographs in this series, with their rough awkward rhythms and turbulent embattled volumes, seem to me charged with a living vitality. To me they recall the stone carvings of Borneo in which&hellip;<\/p>\n","protected":false},"author":1,"featured_media":170,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[2],"portfolio_tag":[],"class_list":["post-167","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-works-on-paper"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":8,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio\/167\/revisions"}],"predecessor-version":[{"id":249,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio\/167\/revisions\/249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/media\/170"}],"wp:attachment":[{"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/media?parent=167"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio_category?post=167"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.jamesburgess.net\/index.php\/wp-json\/wp\/v2\/portfolio_tag?post=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}